Better World Arts

Cushion - Anthea Granites - AGR606

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  • Cushion - Anthea Granites - AGR606
  • Cushion - Anthea Granites - AGR606
  • Cushion - Anthea Granites - AGR606

Better World Arts

Cushion - Anthea Granites - AGR606

Sold out

Better World Arts Cushion - Anthea Granites - AGR606

This traditional Kashmiri handicraft vitally supplements an often fluctuating rural income. Wool is custom dyed to match the original artist's image and hand stitched onto a cotton base. Each cushion is backed with natural coloured cotton canvas, and closes with a zip. 

Comes with a 100% recycled PET fibre cushion insert. 
Dimensions: 40cm x 40cm

The site depicted in this painting is Puyurru, west of Yuendumu. At Warlura, a gecko called Yumariyumari blew the storm on to Lapurrukurra and Wilpiri. Bolts of lightning shot out at Wirnpa (also called Mardinymardinypa) and at Kanaralji. At this point the Dreaming track also includes the kurdukurdu mangkurdu Jukurrpa (children of the clouds Dreaming). The water Dreaming built hills at Ngamangama using baby clouds and also stuck long pointy clouds into the ground at Jukajuka, where they can still be seen today as rock formations. The termite Dreaming eventually continued west to Nyirrpi, a community approximately 160 km west of Yuendumu.

The water Dreaming then travelled from the south over Mikanji, a watercourse with soakages northwest of Yuendumu. At Mikanji, the storm was picked up by a kirrkarlanji (brown falcon [Falco berigora]) and taken farther north. At Puyurru, the falcon dug up a giant warnayarra (rainbow serpent). The serpent carried water with it to create another large lake, Jillyiumpa, close to an outstation in this country.

The kirda (owners) of this story are Jangala men and Nangala women. After stopping at Puyurru, the water Dreaming travelled on through other locations including Yalyarilalku, Mikilyparnta, Katalpi, Lungkardajarra, Jirawarnpa, Kamira, Yurrunjuku, and Jikaya before moving on into Gurindji country to the north. In contemporary Warlpiri paintings, traditional iconography is used to represent the Jukurrpa (Dreaming), associated sites, and other elements. In many paintings of this Dreaming, short dashes are often used to represent mangkurdu (cumulus & stratocumulus clouds), and longer, flowing lines represent ngawarra (flood waters). Small circles are used to depict mulju (soakages) and river beds.

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