Better World Arts

Better World Arts Cushion - Pauline Nampijinpa - PNA642

$75.00

or make 4 interest-free payments of $18.75 AUD fortnightly with Afterpay More info

  • Better World Arts Cushion - Pauline Nampijinpa - PNA642
  • Better World Arts Cushion - Pauline Nampijinpa - PNA642
  • Better World Arts Cushion - Pauline Nampijinpa - PNA642

Better World Arts

Better World Arts Cushion - Pauline Nampijinpa - PNA642

$75.00

or make 4 interest-free payments of $18.75 AUD fortnightly with Afterpay More info

Better World Arts Cushion - Pauline Nampijinpa - PNA642 

Comes with a 100% recycled PET fibre cushion insert. 
Dimensions: 40cm x 40cm 

This traditional Kashmiri handicraft vitally supplements an often fluctuating rural income. Wool is custom dyed to match the original artist's image and hand stitched onto a cotton base. Each cushion is backed with natural coloured cotton canvas, and closes with a zip. 

Pauline Nampijinpa Singleton. This parcular site of the Yankirri Jukurrpa, (emu Dreaming [Dromaius ovaehollandiae]) is at garlikurlangu, north of Yuendumu. The ‘yankirri’ travelled to the rockhole at Ngarlikurlangu to find water. This Jukurrpa story belongs to Jangala/Jampijinpa men and Nangala/Nampijinpa women. In contemporary Warlpiri paintings tradional iconography is used to represent the Jukurrpa, associated sites and other elements. Emus are usually represented by their ‘wirliya’ (footprints), arrow-like shapes that show them walking around Ngarlikurlangu yakajirri’ (bush raisin [Solanum centrale]). In the me of the Jukurrpa there was a fight at Ngarlikiurlangu between a ‘yankirri’ ancestor andWardilyka (Australian bustard [Ardeots australis]) ancestors over sharing the ‘yakajirri’. There is also a dance for this Jukurrpa that is performed during initation ceremonies.

These cushions are a joint venture between Better World Arts and Kaltjiti Arts, one of the art centres in the isolated Anangu Pitjantjatjara Yankunytjatjara Lands (APY Lands) in the remote north west corner of South Australia. 
Focusing on fine art instead of predictable commercialised Aboriginal images, this cross-cultural collaboration uses the powerful images from the artists of the APY Lands and the traditional cultural craft heritage of the Kashmir region.

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